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Good Form
Good Form
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A01=Jesse Rosenthal
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Analogy
Author_Jesse Rosenthal
Autobiography
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Bildungsroman
Cambridge University Press
Category1=Non-Fiction
Category=DSBF
Category=DSK
Character (arts)
Charles Dickens
COP=United States
Criticism
Daniel Deronda
Delivery_Delivery within 10-20 working days
Elizabeth Gaskell
Epic poetry
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eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethics
Fiction
Franco Moretti
Fredric Jameson
Genre
George Eliot
George Meredith
Groundwork of the Metaphysic of Morals
Gwendolen
Gwendolen Harleth
Halpern
Humour
I Wish (manhwa)
Ian Watt
Illustration
Jack Sheppard
John Stuart Mill
Johns Hopkins
Jonathan Wild
Language_English
Laughter
Literary criticism
Literary realism
Literature
Mary Barton
Meditations
Middlemarch
Morality
Narration
Narrative
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Newgate novel
Novel
Novelist
Oxford University Press
PA=Available
Parody
Phenomenon
Philosopher
Philosophy
Political philosophy
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Price_€50 to €100
Prose
PS=Active
Publication
Reason
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Roland Barthes
Rookwood (novel)
Sensation novel
softlaunch
Steven Marcus
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The Intuitionist
The Other Hand
The Pickwick Papers
Theft
Theory
Thought
Utilitarianism
Victorian literature
William Harrison Ainsworth
William Whewell
Writing
Product details
- ISBN 9780691171708
- Weight: 567g
- Dimensions: 152 x 235mm
- Publication Date: 20 Dec 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
What do we mean when we say that a novel's conclusion "feels right"? How did feeling, form, and the sense of right and wrong get mixed up, during the nineteenth century, in the experience of reading a novel? Good Form argues that Victorian readers associated the feeling of narrative form--of being pulled forward to a satisfying conclusion--with inner moral experience. Reclaiming the work of a generation of Victorian "intuitionist" philosophers who insisted that true morality consisted in being able to feel or intuit the morally good, Jesse Rosenthal shows that when Victorians discussed the moral dimensions of reading novels, they were also subtly discussing the genre's formal properties. For most, Victorian moralizing is one of the period's least attractive and interesting qualities. But Good Form argues that the moral interpretation of novel experience was essential in the development of the novel form--and that this moral approach is still a fundamental, if unrecognized, part of how we understand novels.
Bringing together ideas from philosophy, literary history, and narrative theory, Rosenthal shows that we cannot understand the formal principles of the novel that we have inherited from the nineteenth century without also understanding the moral principles that have come with them. Good Form helps us to understand the way Victorians read, but it also helps us to understand the way we read now.
Jesse Rosenthal is assistant professor of English at Johns Hopkins University.
Good Form
€59.99
