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Gordon Matta-Clark
Gordon Matta-Clark
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1970s
20th century
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american artist
architecture
art
art history
artist
artists
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biographical
career
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Category=DNB
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clark
contemporary
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critical biography
culture
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engaging
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film
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Language_English
literary criticism
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new york
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paradoxical durability
performer
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photography
physical oeuvre
physical poetics
pivotal figure
poetry
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radical
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sculptural fragments
semiotic forms
social practice
social practice art
society
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studies
surrealism
verbal aspect
verbal creations
vivid language
wordplay
Product details
- ISBN 9780520299092
- Weight: 1225g
- Dimensions: 152 x 229mm
- Publication Date: 26 Mar 2019
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Bringing a poet’s perspective to an artist’s archive, this highly original book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. He is celebrated for his “anarchitectural” environments and performances, and the films, photographs, drawings, and sculptural fragments with which his site-specific work was documented. In studies of his career, the artist’s provocative and vivid language is referenced constantly. Yet the verbal aspect of his practice has not previously been examined in its own right. Blending close readings of Matta-Clark’s visual and verbal creations with reception history and critical biography, this extensively researched study engages with the linguistic and semiotic forms in Matta-Clark’s art, forms that activate what he called the “poetics of psycho-locus” and “total (semiotic) system.” Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. Gordon Matta-Clark: Physical Poetics explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
Frances Richard is the author of three books of poetry, coauthor of Odd Lots: Revisiting Gordon Matta-Clark’s “Fake Estates,” and editor of Joan Jonas is on our mind and I Stand in My Place with My Own Day Here: Site-Specific Art at The New School. She teaches at the California College of the Arts.
Gordon Matta-Clark
€46.99
