Gordon Stretton, Black British Transoceanic Jazz Pioneer

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A01=Jeff Daniels
A01=Michael Brocken
Age Group_Uncategorized
Age Group_Uncategorized
Author_Jeff Daniels
Author_Michael Brocken
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Black diasporan jazz
Black Liverpool
British Coon singing
Category1=Non-Fiction
Category=AV
Category=AVGJ
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
COP=United States
Delivery_Delivery within 10-20 working days
Early British jazz
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Jazz in Argentina
Jazz in Paris
Jazz in Rio
Language_English
Liverpool's popular music
Liverpool’s popular music
PA=Available
Popular music studies
Price_€100 and above
PS=Active
softlaunch
Syncopated dance music
Transoceanic jazz pathways

Product details

  • ISBN 9781498574464
  • Weight: 744g
  • Dimensions: 163 x 231mm
  • Publication Date: 15 Sep 2018
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This extensively researched text concerning the life and career of Liverpool-born Black jazz musician Gordon Stretton not only contributes to the important debate concerning the transoceanic pathways of jazz during the 20th century, but also suggests to the jazz fan and scholar alike that such pathways, reaching as they also did across the Atlantic from Europe, are actually part of a largely ignored therefore partially-hidden history of 20th century jazz performance, industry and influence. The work also exists to contribute to a more complete picture of the significance of diaspora studies across the spectrum of popular music performance, and to award to those Liverpool musicians who were not contributors to the city’s musical visage post-rock ‘n’ roll, a place in popular music history.

Gordon Stretton was a jazz pioneer in several senses: he emerged from a poverty-stricken, racially marginalized upbringing in Liverpool to develop a popular music career emblematic of Black diasporan experience. He was a child dancer and singer in the Lancashire Lads (the troupe which was also part of a young Charlie Chaplin’s development), a well-respected solo touring artist in the UK as ‘The Natural Artistic Coon’, a chorister and musical director with the Jamaican Choral Union and, having encountered syncopated music, a jazz percussionist, multi-instrumentalist and vocalist (not to mention a ground-breaking bandleader). All of these musical experiences took place through time on his own terms as he learnt his craft ‘on the hoof’ via many different encounters with musical genres from Liverpool to London, Paris, Brussels, Rio, and Buenos Aires. Gordon Stretton was truly a transoceanic jazz pioneer.

Mike Brocken is senior lecturer in popular music studies at Liverpool Hope University.

Jeff Daniels is an independent research scholar who over the past decade has concentrated on the history of Gordon Stretton.

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