Gothic Print Culture, 1789-1900

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dramatic adaptation
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forthcoming
gothic drama performance analysis
Libraries
melodrama studies
Minerva Press
nineteenth-century theatre
Pamphlets
performance and print intersection
Print market
stage spectacle analysis
Theatre
toy theatre history

Product details

  • ISBN 9780367649685
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Jul 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The fourth volume of Gothic Print Culture, 1789-1900 reprints Gothic plays that foreground the complex relationship between print and performance and the role of theatre in the development of Gothic conventions. Gothic dramas helped consolidate the Gothic tradition, keeping Gothic fiction from the late eighteenth century alive in an alternate form and extending the Gothic canon in new directions through the spectacular stage effects demanded by the nineteenth-century theatre. Novels that in the late eighteenth century were shocking reappeared later in the nineteenth-century theatre as parodies, poking fun at what was once considered terrifying. Toy theatres gave domestic consumers a chance to rehearse and revise their favourite Gothic dramas in miniature, and acting editions kept Gothic plays alive decades after their initial release, helping to build the Gothic canon. The Gothic pantomimes, melodramas and spectacles included in this volume invite new questions about the relationship between theatre, adaptation, print culture and the development of the Gothic.

Jennifer Camden is the Beverley J. Pitts Distinguished Professor of the Ron and Laura Strain Honors College and Associate Chair and Professor of English at University of Indianapolis. She is the author of Secondary Heroines in the Nineteenth-Century British and American Novel (Routledge, 2010) and, with Kate Faber Oestreich, Transmedia Storytelling: Pemberley Digital’s Adaptations of Jane Austen and Mary Shelley (Cambridge Scholars, 2018), as well as articles on women writers and gothic fiction.

JoEllen DeLucia is Professor of English at Central Michigan University. She is the author of A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820 (EUP, 2015). She has also published several articles on women writers, Enlightenment moral philosophy, and Gothic fiction, as well as an edited collection with Juliet Shields on the literature and history of migration.