Grand Opera Outside Paris

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Act Iii
Anne Kauppala
Arco De
Carlos Maria Solare
Carolin Hauck
Category=AVLF
Emanuele Bonomi
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European theatre history
Fennoman Movement
Finnish National Opera
Finnish Opera
Finnish Theatre
Fra Diavolo
French Grand Opera
French Grand Operas
Grand opera
grand opera adaptation case studies
Grand Operas
Gustav III
Johan Ludvig Runeberg
Karin Hallgren
Karl XIV Johan
La Juive
La Muette
La Muette De Portici
Laura Moeckli
Le Diable
Les Huguenots
Luisa Cymbron
Masked ball
Meyerbeer's Opera
Meyerbeer’s Opera
musicology
nationalism in music
nineteenth-century
nineteenth-century performance
Opera
opera reception studies
Owe Ander
Royal Swedish Opera
Sarah Hibberd
Stockholm
Stockholm Opera
Swedish Theatre
Theater Auf Dem
transnational cultural exchange
Ulla-Britta Broman-Kananen
Weimar Court Theatre
Young Man

Product details

  • ISBN 9781138202016
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Nineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.

Jens Hesselager is Associate Professor at Section of Musicology, University of Copenhagen, Denmark. His research focuses primarily on questions pertaining to music theatre and theatre music in the late eighteenth and early nineteenth centuries, including dialogue opera, grand opera, vaudeville, melodrama and incidental music. Within this field, his particular interest is in transnational aspects: mobility (translation, transformation, reconfiguration) of repertoires, genres, practices and values; inter-urban migration of musicians and singers; and relations between cultural centres and peripheries.