Grand Rotunda of the Royal Museum for Central Africa

Regular price €59.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
AfricanArt
AfricanArtists
AfricanDiaspora
Age Group_Uncategorized
Age Group_Uncategorized
AimeMpane
Art
ArtCatalogues
automatic-update
B01=Aimé Mpané
B01=Jean Pierre Müller
BelgianMuseums
Category1=Non-Fiction
Category=AGC
ColonialPropaganda
COP=Belgium
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
RacistStereotypes
softlaunch

Product details

  • ISBN 9789085868378
  • Weight: 946g
  • Dimensions: 210 x 265mm
  • Publication Date: 08 Aug 2023
  • Publisher: BAI NV
  • Publication City/Country: BE
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

The Royal Museum for Central Africa, in Tervuren, Belgium, was founded in 1898, but its current building was inaugurated in 1910 and is characterised by many symbols reflecting the colonial propaganda of the time. The grand rotunda, designed to serve as the museum entrance, plays host to a series of statues that are strong examples of such imagery, reflecting fundamentally racist stereotypes.

Between 2013 and 2018, the RMCA underwent a major renovation that saw a substantial redesign of the permanent exhibition, with the involvement of members of the African diaspora in Belgium. A major challenge of the renovation was to demonstrate the will to decolonise a listed building that is legally protected against changes. As removal of the colonial statues was not allowed, the museum was forced to find innovative solutions, notably by inviting contemporary African artists to create installations to dialogue, contrast, and discuss with colonial messages.

Congolese artist Aimé Mpané was chosen to make such an installation in the rotunda in 2018 with New breath, or Burgeoning Congo. Public reaction helped the AfricaMuseum realise that it needed to go further. Along with the creation of a second sculpture, Aimé Mpané, in co-creation with Belgian artist Jean Pierre Müller, proposed the RE/STORE project: a permanent installation of transparent veils, each bearing a contemporary message, hung in front of every statue in the rotunda. The themes addressed in this collection of veils interact with the viewer in a powerful and eloquent manner.

This richly illustrated book is a compilation of texts written by renowned experts about the history of the rotunda and its statues, as well as the semantic and artistic analysis of RE/STORE, providing a full catalogue of the installations, sculptures, and veils.