Grasping the World

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Animal Kingdom
art history
art history pedagogy
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Category=JHB
collective memory analysis
Colonial Administration
Contemporary Society
critical perspectives on museum institutions
cultural heritage theory
De Cluny
Du Sommerard
Emblematic World View
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exhibition practices
Exhibitionary Complex
Getty Museum
GGAE
Giuseppe Olmi
Gustavus III
identity formation museums
Indian Goats
Mass MoCA
MOCA
modern European idea
modern museum collections
museum studies
Philippine Reservation
Public Art Museum
Representational Adequacy
Rhetorica Ad Herennium
Rockefeller III
Rudolf II
Sainsbury Galleries
Taman Mini
Teddy Bear Patriarchy
Vice Versa
Western thought
Young Man

Product details

  • ISBN 9780367024314
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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First published in 2004, this volume recognises that there is much more to museums than the documenting, monumentalizing, or theme-parking of identity, history and heritage. This landmark anthology aims to make strange the very existence of museums and to plot a critical, historical and ethical understanding of their origins and history. A radical selection of key texts introduces the reader to the intense investigation of the modern European idea of the museum that has taken place over the last fifty years. Texts first published in journals and books are brought together in one volume with up-to-the-minute and specially commissioned pieces by leading administrators, curators and art historians. The selections are organized by key themes that map the evolution of the debate and introduced by Donald Preziosi and Claire Farago, two considerable critics, who write with the edge and enthusiasm of art historians who have spent their lives working with museums. Grasping the World is an invaluable resource for students and teachers of art history and museum studies.

Donald Preziosi is Professor of Art History, UCLA, where he developed and directs the art history critical theory programme, as well as the UCLA museum studies programme.