Grateful Dead and the Art of Rock Improvisation

Regular price €72.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
50-100
A01=David Malvinni
Age Group_Uncategorized
Age Group_Uncategorized
Author_David Malvinni
automatic-update
Category1=Non-Fiction
Category=AVGP
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9780810882553
  • Weight: 572g
  • Dimensions: 157 x 236mm
  • Publication Date: 28 Feb 2013
  • Publisher: Scarecrow Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

More than fifteen years since the death of lead guitarist and singer Jerry Garcia, the Grateful Dead stand as a symbol of the unresolved cultural clashes of the 1960s. The band’s thirty-year odyssey is a testament to the American imagination, with thousands of live concert recordings by fans and the band itself, preserved alongside an impressive array of images, artwork, and paraphernalia. Most recently, the Grateful Dead have released from their vault their entire 1972 European tour, one of the largest boxed sets of live music—seventy-three compact discs—ever released. This publicly available archive of recorded music lays the groundwork for David Malvinni’s exploration of the band’s musical signature as the ultimate jam band in Grateful Dead and the Art of Rock Improvisation. Malvinni considers a select group of songs from the Dead’s early repertoire, from its unique covers of “Viola Lee Blues,” “Midnight Hour,” and “Love Light” to original masterpieces like “Dark Star.” Marrying basic music analysis to philosophical frames offered by improvisatory musings of Heidegger, Derrida, and Deleuze, Malvinni presents the core aesthetic underlying the Dead’s musical styling.

In tracing the evolution of the band’s unique jam style, Malvinni outlines the Dead’s gift as gatherers and inventors of old and new soundscapes in their multifaceted improvisations. Like no other band, the Dead brought together a variety of styles from roots and folk to country and modal jazz to postmodern European art music. Devoted Deadheads reveled in the band’s polyglot, risk-filled approach to playing live and the joint band-audience quest to reach a type of sonic cosmic ecstasy, commonly described as the “X factor.”

Although fans and scholars alike recognize the Grateful Dead as icons of psychedelic music, the band’s improvisatory approach still remains an enigma to the uninitiated. In Grateful Dead and the Art of Rock Improvisation, Malvinni unravels this mystery, walking readers through the band’s musical decision-making process. Written for rock music fans with little to no background in music theory, as well as scholars and students of popular music culture, the book reveals the method behind the seeming chaos of America’s greatest jam band.

Musicologist and classical guitarist, David Malvinni is adjunct professor of Music and African-American studies at Santa Barbara Community College and author of The Gypsy Caravan: From Real Roma to Imaginary Gypsies in Western Music and Film (Routledge, 2004).

More from this author