Great Directors at Work

Regular price €33.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
20th century
A01=David Richard Jones
anton chekhov
auteur
Author_David Richard Jones
bertolt brecht
Category=ATDH
cinema history
cinema studies
contemporary film
contemporary theatre
culture
directing
directing plays
director
drama
elia kazan
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
famous directors
film history
film making
filmmaking
history of cinema
history of film
history of theatre
konstantin stanislavsky
modern film
modern plays
modern theatre
mother courage
peter brook
plays
playwright
stage
stage director
stage productions
streetcar named desire
theatre
theatre directing
theatrical

Product details

  • ISBN 9780520061743
  • Weight: 363g
  • Dimensions: 140 x 210mm
  • Publication Date: 23 Oct 1987
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
The subject of this book is theatre directing in four internationally famous instances. The four directors-Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook-all were monarchs of the profession in their time. Without their work, theatre in the twentieth century-so often called "the century of the director" -would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.
David Richard Jones teaches English and Theatre Arts at the University of New Mexico.

More from this author