Great Moments in the Theatre
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Product details
- ISBN 9781849432337
- Weight: 360g
- Dimensions: 138 x 214mm
- Publication Date: 03 Nov 2011
- Publisher: Bloomsbury Publishing PLC
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
'A magnificently readable tour of theatrical history conducted by our best-informed living critic.' - Michael Billington
'Benedict Nightingale's characteristically witty, insightful and enthusiastic reports make you wish you'd been sitting next to him during his greatest moments in the theatre.' – Ian McKellen
Starting with the first performance of Aeschylus' The Oresteia in 458 BC, ending with the premiere of Jez Butterworth’s Jerusalem in London of 2009 AD, Benedict Nightingale collects in one volume what he believes to be the greatest moments in theatre.
Each informative and entertaining entry is between 650 and 850 words in length, covering a remarkable diversity of theatrical openings and events, many of historical interest and importance, and many more witnessed by Nightingale himself during his 50-year reviewing career. The plays and shows that Nightingale crisply, authoritatively and readably brings alive range from Sheridan’s School for Scandal to Tom Stoppard’s Arcadia, from Gogol’s Government Inspector to the Ian McKellen Macbeth, from Synge’s Playboy of the Western World, which provoked serious riots in the Dublin of 1907, to Lionel Bart’s Twang!! in 1965, possibly the most disastrous musical ever.
Throughout the book Nightingale celebrates leading dramatists and performers, directors and composers. Everywhere he shares the fulfilment and fun he has found in the art-form he loves.
Benedict Nightingale was the Guardian’s northern theatre critic, the New Statesman’s theatre critic, the New York Times’ Sunday theatre critic and, from 1990 to 2010, the London Times’ chief theatre critic during a period widely acknowledged to be as productive and exciting as any in theatrical history.
