Greek Tragedy

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A01=H.D.F. Kitto
Aeschylus
Aeschylus Sophocles Euripides comparison
Agamemmon
Ajax
Alcestis
ancient Greek playwrights
Antigone
Author_H.D.F. Kitto
Bacchae
Category=DSBB
Category=DSG
Choral Ode
classical performance studies
Colonus
Creon
Dionysia
Dionysian Mysteries
Electra
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eumendides
Euripidean Tragedy
Euripides
Face To Face
Fi Rst Play
Fi Ve
Fl Esh
Follow
Fulfi Lment
Greek theatre
Greek tragedy
Held
interpretation of Greek tragic drama
Kinsmen
Kitto
Libation Bearers
Mankind
Medea
Middle Tragedy
moral dilemmas in ancient plays
Oedipus
Oresteia
Panathenaia
Prometheus
Prometheus Bound
Real Unity
Routledge academic classics
Sacrifi Ce
Sophocles
Superb
Suppliant Women
Suppliants
Theban plays
Tragedy
Tragic Conception
Tragic Hero
Tragic Idea
tragic theatre analysis
Tragic Theme
Trojan women
Young Men

Product details

  • ISBN 9781138834781
  • Weight: 544g
  • Dimensions: 138 x 216mm
  • Publication Date: 21 May 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Why did Aeschylus characterize differently from Sophocles? Why did Sophocles introduce the third actor? Why did Euripides not make better plots? So asks H.D.F Kitto in his acclaimed study of Greek tragedy, available for the first time in Routledge Classics.

Kitto argues that in spite of dealing with big moral and intellectual questions, the Greek dramatist is above all an artist and the key to understanding classical Greek drama is to try and understand the tragic conception of each play. In Kitto’s words ‘We shall ask what the dramatist is striving to say, not what in fact he does say about this or that.’ Through a brilliant analysis of Aeschylus’s ‘Oresteia’, the plays of Sophocles including ‘Antigone’ and ‘Oedipus Tyrannus’; and Euripides’s ‘Medea’ and ‘Hecuba’, Kitto skilfully conveys the enduring artistic and literary brilliance of the Greek dramatists.

H.D.F. Kitto (1897 – 1982) was a renowned British classical scholar. He lectured at the University of Glasgow from 1920-1944 before becoming Professor of Greek at Bristol University, where he taught until 1962.

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