Greek Tragedy and the Digital

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Akram Khan
ancient drama
ancient tragedy
augmented reality
automatic-update
Avra Sidiropoulou
B01=Dr Angeliki Poulou
B01=George Rodosthenous
Category1=Non-Fiction
Category=AFKV
Category=AN
Category=ATD
Category=DB
classical drama
classical theatre
classical tragedy
COP=United Kingdom
Delivery_Pre-order
digital media
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Georges Lavaudant
Greek drama
Greek tragedy
Guy Cassiers
Hans Neuenfels
immersive theatre
interactive theatre
interdisciplinary theatre
intermediality
Ivo Van Hove
Jan Fabre
Katie Mitchell
Klaus Obermaier
Krzysztof Varlikovsky
Kzryztof Warlikowski
Labex Arts-H2H
Language_English
Luca di Fusco
Medea Electronique
Michael Cacoyannis
Omar Abu Saada
PA=Not yet available
Peter Sellars
Price_€20 to €50
PS=Forthcoming
Rimini Protokoll
Robert Wilson
Romeo Castellucci
softlaunch
technology
The Wooster Group
theatre technology
Urland & Crew
virtual reality
virtual reality theatre

Product details

  • ISBN 9781350185951
  • Weight: 300g
  • Dimensions: 138 x 214mm
  • Publication Date: 30 May 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Adopting an innovative and theoretical approach, Greek Tragedy and the Digital is an original study of the encounter between Greek tragedy and digital media in contemporary performance. It challenges Greek tragedy conventions through the contemporary arsenal of sound masks, avatars, live code poetry, new media art and digital cognitive experimentations. These technological innovations in performances of Greek tragedy shed new light on contemporary transformations and adaptations of classical myths, while raising emerging questions about how augmented reality works within interactive and immersive environments.

Drawing on cutting-edge productions and theoretical debates on performance and the digital, this collection considers issues including performativity, liveness, immersion, intermediality, aesthetics, technological fragmentation, conventions of the chorus, theatre as hypermedia and reception theory in relation to Greek tragedy.

Case studies include Kzryztof Warlikowski, Jan Fabre, Romeo Castellucci, Katie Mitchell, Georges Lavaudant, The Wooster Group, Labex Arts-H2H, Akram Khan, Urland & Crew, Medea Electronique, Robert Wilson, Klaus Obermaier, Guy Cassiers, Luca di Fusco, Ivo Van Hove, Avra Sidiropoulou and Jay Scheib. This is an incisive, interdisciplinary study that serves as a practice model for conceptualizing the ways in which Greek tragedy encounters digital culture in contemporary performance.

George Rodosthenous is Professor Theatre Directing at the School of Performance and Cultural Industries of the University of Leeds, UK.

Angeliki Poulou is Assistant Professor at the Department of Digital Arts and Cinema, National and Kapodistrian University of Athens, Greece.