A01=Edward Juler
Age Group_Uncategorized
Age Group_Uncategorized
Author_Edward Juler
automatic-update
Category1=Non-Fiction
Category=ACX
Category=AFKB
Category=AGA
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Modernism
PA=Available
Price_€20 to €50
PS=Active
Sculpture
softlaunch
Product details
- ISBN 9781526106537
- Weight: 572g
- Dimensions: 170 x 240mm
- Publication Date: 05 Sep 2016
- Publisher: Manchester University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
What does it mean for a sculpture to be described as ‘organic’ or a diagram of ‘morphological forces’? These were questions that preoccupied Modernist sculptors and critics in Britain as they wrestled with the artistic implications of biological discovery during the 1930s. In this lucid and thought-provoking book, Edward Juler provides the first detailed critical history of British Modernist sculpture’s interaction with modern biology. Discussing the significant influence of biologists and scientific philosophers such as D’Arcy Wentworth Thompson, Julian Huxley, J. S. Haldane and Alfred North Whitehead on interwar Modernist practice, this book provides radical new interpretations of the work of key British Modernist artists and critics, including Henry Moore, Barbara Hepworth, Paul Nash and Herbert Read. Innovative and interdisciplinary, this pioneering book will appeal to students of art history and the history of science as well as anyone interested in the complex, interweaving histories of art and science in the twentieth century.
Edward Juler is Lecturer at Newcastle University
