Guarini's 'Il pastor fido' and the Madrigal

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16th century
A01=Seth Coluzzi
Ahi Lasso
Anima Mia
Author_Seth Coluzzi
Baroque music
Battista Guarini
Category=ATD
Category=AVLA
Category=DSBD
Category=DSG
chamber music
Cinzio Aldobrandini
Cipriano De Rore
Colei Che
Concerto Delle Donne
Cruda Amarilli
drama
early modern
early modern performance practice
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Guarini
Guarini's Play
Guarini's Tragicomedy
Guarini’s Play
Guarini’s Tragicomedy
Il Bianco
Italian court culture
Italian history
Italy
Lasciatemi Morire
literary-music interrelations
literature
madrigal
Madrigal Book
madrigal settings of dramatic texts
Madrigal Texts
Marenzio's Madrigal
Marenzio's Settings
Marenzio’s Madrigal
Marenzio’s Settings
Modal Octave
Monteverdi's Madrigals
Monteverdi's Music
Monteverdi's Settings
Monteverdi's Work
Monteverdi’s Madrigals
Monteverdi’s Music
Monteverdi’s Settings
Monteverdi’s Work
music history
musicology
Pastor Fido
pastoral literature analysis
Pastoral Tragicomedy
patronage
polyphonic composition techniques
Polyphonic Madrigal
Renaissance
Seconda Pratica
Sixteenth century
sixteenth-century music theory
song
theatre
Viola Bastarda
vocal music

Product details

  • ISBN 9781032423852
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Battista Guarini’s pastoral tragicomedy Il pastor fido (1589) began its life as a play, but soon was transformed through numerous musical settings by prominent composers of the late sixteenth and early seventeenth centuries. Through the many lives of this work, this book explores what happens when a lover’s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture.

From the play’s beginnings in manuscripts, private readings, and aborted stage productions in the 1580s and 1590s, through the gradual decline of Pastor fido madrigals in the 1640s, this book examines how this widely read yet controversial text became the center of a lasting and prolific music tradition. Using a new integrative system of musical-textual analysis based on sixteenth-century theory, Seth Coluzzi demonstrates how composers responded not only to the sentiments, imagery, and form of the play’s speeches, but also to subtler details of Guarini’s verse. Viewing the musical history of Guarini’s work as an integral part of the play’s roles in the domains of theater, literature, and criticism, this book brings a new perspective to the late Italian madrigal, the play, and early modern patronage and readership across a diverse geographical and temporal frame.

Seth J. Coluzzi is an Assistant Professor of Music at Colgate University and a scholar of the music, poetry, and culture of late-Renaissance Italy. His work focuses on issues of analysis, mode, interpretation, and text-music relations in the Italian madrigal and has appeared in Journal of Musicology, Music and Letters, Music Theory Spectrum, Early Music, Studi musicali, and other journals and collections.

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