Guercino’s Paintings and His Patrons’ Politics in Early Modern Italy
Regular price
€50.99
14 days return policy
Shipping & Delivery
A01=Daniel M. Unger
Age Group_Uncategorized
Age Group_Uncategorized
Alessandro Ludovisi
Artistico Ed Etnoantropologico
Author_Daniel M. Unger
automatic-update
Baldinucci
Cardinal Ludovico Ludovisi
Cardinal Ludovisi
carolyn
carracci
Category1=Non-Fiction
Category=AB
Chiesa Nuova
Congregatio De Propaganda Fide
COP=United Kingdom
Delivery_Pre-order
Della
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ferdinand III
gregory
Gregory The Great
Gregory VII
Gregory XV
Guercino's Painting
guercinos
Guercino’s Painting
Il Patrimonio Storico
Il Polo Museale Della
King Louis XIII
Language_English
ludovico
Ludovico Ludovisi
ludovisi
PA=Not yet available
Pinacoteca Nazionale
pope
Pope Gregory XV
Price_€20 to €50
prodigal
Prodigal Son
PS=Forthcoming
return
Return Of The Prodigal Son
Secretary Of State
softlaunch
St Petronilla
Vienna Painting
wood
Young Man
Product details
- ISBN 9781032927794
- Weight: 380g
- Dimensions: 170 x 245mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Guercino's Paintings and His Patrons' Politics in Early Modern Italy examines how the seventeenth-century Italian painter Giovanni Francesco Barbieri (better known as Il Guercino) instilled the political ideas of his patrons into his paintings. As it focuses on eight works showing religious scenes and scenes taken from Roman history, this volume bridges the gap between social and cultural history and the history of art, untangling the threads of art, politics, and religion during the time of the Thirty Years' War. A prolific painter, Guercino enjoyed the patronage of such luminaries as Pope Gregory XV, Cardinals Serra, Ludovisi, Spada, and Magalotti, and the French secretary of state La Vrillière. While scholarly research has been devoted to Guercino's oeuvre, this book is the first to place his works squarely in the context of the political and social circumstances of seventeenth-century Italy, stressing the points of view and agendas of his powerful patrons. What were once meanings only apparent to the educated elite”or those familiar with the political affairs of the time”are now scrutinized and clarified for an audience far from the struggles of early modern Europe.
Daniel M. Unger teaches art history at Ben-Gurion University of the Negev, Israel. He has published numerous articles on art and politics in seventeenth-century painting in such venues as Word & Image and Storia dell'arte.
