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Guerrilla Music
Guerrilla Music
★★★★★
★★★★★
Regular price
€100.99
A32=Blessing Makwambeni
A32=David Kauzlarich
A32=Jane Southcott
A32=Leigh Carriage
A32=Leon de Bruin
A32=Nasim Niknafs
A32=Rusty Barrett
A32=Umut Mise
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Jane Southcott
B01=Leon de Bruin
Category1=Non-Fiction
Category=AVGP
Category=AVGR
Category=AVLP
community music
COP=United States
Cultural music
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
music
music education
Musicking
PA=Available
political music
Price_€50 to €100
protests
PS=Active
semiotics
social change
social movements
sociology
softlaunch
Product details
- ISBN 9781666944037
- Weight: 585g
- Dimensions: 160 x 237mm
- Publication Date: 06 Jun 2024
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
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Guerrilla Music: Musicking as Resistance, Defiance, and Subversion explores human initiations and responses to music as a process and product intrinsically part of our culture, history, place, time and ecological musical worlds. The contributors challenge scholarly approaches wherein music is detached from the social relationships in which it is produced, transmitted, used and judged. ‘Guerrilla’ is a trope long applied to socio-political machinations, human conflict and confrontation. Guerrilla Music provocatively explores research involving music practices, stories, communities and musickers worldwide that resist, defy and subvert by silence and non-compliance, reluctant subordination, subversive depowering, resistive counterpoint, or destructive, violent dismantling. Contexts spanning the subcultural local, glocal and universal highlight the potency, passions, actions and life worlds of music, musicians and those that become engulfed in musical maelstroms that incite change. Guerrilla Music both invigorates and advances scholarly debates about social power, colonisation and difference by exploring the social semiotics of music making and communities, identifying powerful new ways of understanding human communication, and what musicking means in the twenty-first century.
Leon de Bruin is senior lecturer in music at the University of Melbourne, Conservatorium of Music, coordinating the Master of Music Performance Teaching Degree (MMPT).
Jane Southcott is professor in the faculty of education at Monash University.
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