Guide to the Cosmology of William Blake

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A01=Kathryn Freeman
anti-Newtonian philosophy
Author_Kathryn Freeman
Bard's Song
Bard’s Song
Blake's Depiction
Blake's Figures
Blake's Identification
Blake's Illustrations
Blake's Poetry
Blake's Prophetic Books
Blake's Relationship
Blake's Satire
Blake's symbolic universe interpretation
Blake's View
Blake's Works
Blake’s Depiction
Blake’s Figures
Blake’s Identification
Blake’s Illustrations
Blake’s Poetry
Blake’s Prophetic Books
Blake’s Relationship
Blake’s Satire
Blake’s View
Blake’s Works
British Romanticism
Category=DSBF
Category=DSC
Covering Cherub
Enlightenment Deism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Follow
gender in literary analysis
Harlots
illuminated manuscripts
Keynes
Luvah
Mad Song
Mary Wollstonecraft
mythopoeic literature
Piper
Poetical Sketches
Prophetic Books
race and empire studies
Relief Etching
Royal Academy
Wollstonecraft

Product details

  • ISBN 9781472467126
  • Weight: 544g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blake’s anti-Newtonian universe eludes the fixity of definitions and schema. Central to this guide to Blake's work and ideas is Kathryn S. Freeman's acknowledgment of the paradox of providing orientation in Blake’s universe without disrupting its inherent disorientation of the traditions whereby readers still come to it. In this innovative work, Freeman aligns herself with Blake’s demand that we play an active role in challenging our own readerly habits of passivity as we experience his created and corporeal worlds.

Kathryn S. Freeman is Professor of English at the University of Miami, US.

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