Guns N’ Roses, Rock & Roll, and the Sounds of the Lyric Tradition

Regular price €51.99
Quantity:
Will Deliver When Available
Will Deliver When Available
14 days return policy Shipping & Delivery
A01=Mike Chasar
Author_Mike Chasar
Beyonce
Bob Dylan
Category=AVLP
Category=DC
Category=DSBH
Category=JBCT
cultural musicology
David Bowie
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
expressive vocalisation
forthcoming
Guns N' Roses (GNR)
intertextuality in lyrics
Literature and music
lyric poetry
lyric poetry analysis
lyric tradition in contemporary music
poetic sound devices
popular music studies
Queen
Rock & roll

Product details

  • ISBN 9781041268918
  • Dimensions: 138 x 216mm
  • Publication Date: 04 Aug 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

In this innovative book, Mike Chasar forwards a theory for how we read, hear, and understand pop music lyrics on their own, in relation to each other, and in relation to the poetic tradition that they inherit, revitalize, and push into new expressive quarters.

When Guns N’ Roses lead singer Axl Rose belts out the series of “ohs” in the chorus from one of the band’s most famous songs—“Whoa, oh, oh, oh, sweet child o’ mine”—exactly what sort of poetic work is going on? When Freddie Mercury sings “Mama, oooh, didn’t mean to make you cry” on Queen’s “Bohemian Rhapsody,” what does that “oooh” accomplish? We all know the pleasure of unpacking the content of the songs we love, and Guns N’ Roses, Rock & Roll, and the Sounds of the Lyric Tradition deepens that pleasure by exploring some of pop music’s most common yet possibly most obscure verbal pyrotechnics—sounds like “Oh” and “Oooh” that have no dictionary meaning but that nevertheless activate a broader set of poetic strategies and concerns that end up linking modern song lyrics to the lyric expressions of Shakespeare, Shelley, and Keats.

Chasar traces the thread connecting centuries of poetic tradition, contextualizing Guns N’ Roses alongside songs by Bowie, Zeppelin, Stevie Wonder, Beyoncé, and more. This illuminating and engaging book is an essential read for scholars and students of poetry, popular music, and popular culture, as well as for fans seeking deeper insight into their favorite songs.

Mike Chasar is Professor of English at Willamette University in Salem, Oregon, USA. He is the author or editor of five books including The Poetry of Bob Dylan: Thirty Essays on Thirty Songs (2025) and Poetry Unbound: Poems and New Media from the Magic Lantern to Instagram (2020).

More from this author