A01=James Kippen
Author_James Kippen
Bandmaster
Birari
Black Spot
Bol Patterns
Bīrāṛī
Category=AVA
Category=AVRJ
Clapping Patterns
Daughter In Law
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Held
Hindustani Music
Hindustani percussion
historical tabla theory development
Indian Music
Indian music notation
Karnatak Music
Left Head
music institutionalisation
nationalist music education
Native Hindi Speaker
Open Bols
pakhavaj techniques
rhythmic theory
Sabarmati Ashram
Sangeet Natak
Sangeet Natak Akademi
Sanskrit Prosody
Sanskrit Treatises
Sultan
Surface Rhythm
Tappa
Trka
Tr̥ka
Uninitiated
Western Notation
Ṭappā
Product details
- ISBN 9780754654247
- Weight: 678g
- Dimensions: 156 x 234mm
- Publication Date: 28 Aug 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
James Kippen is Professor at the Faculty of Music, University of Toronto, Canada.
