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Gustave Caillebotte - Painting the Paris of Naturalism, 1872-1887
Gustave Caillebotte - Painting the Paris of Naturalism, 1872-1887
★★★★★
★★★★★
Regular price
€72.99
A Corner of the Fishmarket in the Morning
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Alfred Sisley
Alfred Stevens
Arles
artist circle
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Berthe Morisot
Boulevard des Capucines
Camille Pissarro
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Chambry et Cie
Claude Monet
colorists
critics
Degas
draftsmen
Edmond Duranty
Edvard Munch
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Evening on Karl Johan Street
everyday life
Fine Art Appreciation Day
Floor Scrapers
Francois Bonvin
friends
Georges Seurat
Giuseppe de Nittis
Gustave Courbet
Haussmann
Huysmans
influences
inspiration
Interior of a Cotton Buyer's Office in New Orleans
Interior of a Cotton Buyer’s Office in New Orleans
Interior of a Studio with Stove
Johannes Vermeer
La Parisienne Japonaise
Leda
Louis Anquetin
Luncheon
Manet
Martial Caillebotte
On the Road from Castellammare
Paris Street
Place de Clichy in the Evening
Portrait of Charlotte Berthier
Portrait of Louison Kohler
Railway Bridge over Avenue Montmajour
Rainy Weather
Renoir
Self-Portrait
Stone Brakers
Sunday Afternoon on the Island of La Grande Jatte
The Astronomer
The Dancing Class
The Geographer
The New Painting
The Painter Morot in His Studio
Victor-Gabriel Gilbert
Vincent van Gogh
Whistler
Woman at a Dressing Table
Woman with a Pearl Necklace
Young Man Playing a Piano
Product details
- ISBN 9781606065075
- Weight: 1506g
- Dimensions: 196 x 261mm
- Publication Date: 06 Jan 2017
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Hardback
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Gustave Caillebotte (1848-1894), the son of a wealthy businessman, is perhaps best known as the painter who organised and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists' presence in the French national museums by bequeathing his own personal collection. Trained at the Ecole des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene.
Michael Marrinan's ambitious study draws upon new documents and establishes compelling connections between Caillebotte's painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a
central text for the study of nineteenth-century art and culture.
Michael Marrinan is professor emeritus at Stanford University. He is the coauthor of The Culture of Diagram (2010) and the author of Romantic Paris (2009) and Painting Politics for Louis-Philippe (1988).
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