A01=David Malvinni
Author_David Malvinni
beckerman
Category=AVLT
Category=AVN
Category=AVP
Cd Liner Note
cultural appropriation
Dead Man
drom
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
folk music studies
Gypsy Bands
Gypsy Caravan
Gypsy Girls
Gypsy Hungarian Music
Gypsy Music
Gypsy Woman
hongrois
hungarian
Hungarian Dance
Hungarian Folk Song
Hungarian Music
Hungarian Popular Music
Hungarian Rhapsody
identity construction
John III
King John III
latcho
Latcho Drom
Liszt Rhapsody
Liszt's Hungarian Rhapsody
Liszt’s Hungarian Rhapsody
michael
music
musicians
musicology
nationalism in music
Notre Dame De Paris
Peasant Music
Program Music
Red Violin
rhapsodies
Rimsky Korsakov's Scheherazade
Rimsky Korsakov’s Scheherazade
style
Style Hongrois
Western classical music and Roma representation
Young Man
Product details
- ISBN 9780415969994
- Weight: 690g
- Dimensions: 152 x 229mm
- Publication Date: 16 Apr 2004
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.
David Malvinni holds a Ph.D. in Musicology from the University of California, Santa Barbara. He teaches music courses at Santa Barbara City College, and has taught at UCSB.
