Hamlet’s Hereditary Queen

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A01=Kerrie Roberts
Active Theatre Maker
Author_Kerrie Roberts
Category=AB
Category=AFKP
Category=ATDC
Category=DDA
Category=DS
Category=JBSF11
Category=VFVC
Closet Scene
De Grazia
Dumb Blonde
Early Modern Audience
early modern drama
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eq_bestseller
eq_biography-true-stories
eq_health-lifestyle
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eq_non-fiction
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Fairy Tales
Familial Child Sexual Abuse
female monarchy representation
Female Sexual Transgression
Female Silence
feminist
feminist theatre analysis
gendered power dynamics
Gertrude
Hamlet
Henry VIII's Death
Henry VIII’s Death
Imperial Jointress
jointress
Main Character
Norse Myth
Papal Dispensation
performance theory
regent queen
Regnant Queen
Royal Exchange Theatre
royal succession studies
Sexual Vilification
Shakespeare
Shakespeare's Female Characters
Shakespeare's Richard III
Shakespeare’s Female Characters
Shakespeare’s Richard III
sovereign
stagecraft in Shakespeare
status
Sticky Bit
Tragic Flaw
Violate
Warlike State
Young Fortinbras
Young Man

Product details

  • ISBN 9781032193137
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores a fresh and insightful interpretation of Hamlet’s Gertrude as a prominent and powerful figure in the play. It shows how traditional readings of this character, both performance-based and scholarly, have been guided and constrained by misogynistic perspectives on female power.

Bringing together the author’s wealth of insight from a theatre practitioner’s perspective and combining it with a scholarly perspective, the book argues that Gertrude need not be limited to sex and motherhood. She could instead be played as Denmark’s blood royal Queen, her role in the play then being about female political power. Gertrude’s royal status could play out on stage through a variety of possible performance choices for stage design, stage business, acting processes, and the actor’s presence – both speaking and silent.

Hamlet's Hereditary Queen takes into consideration Shakespeare’s source myths, historical studies of the position of queens and the issues concerning them in early modern England, Hamlet’s performance history, and the text itself. It questions traditional readings of Hamlet, and offers detailed analyses of relevant scenes to demonstrate how Gertrude’s Hamlet might play out on stage in the twenty-first century.

This is an engaging and insightful interpretation for students and scholars of theatre and performance studies and Shakespeare studies, as well as theatre practitioners.

Kerrie Roberts has a background in teaching and in theatre. Hamlet’s Hereditary Queen began in 2007 with performance practice and was later developed through postgraduate study with the help of the University of Sydney’s Department of Theatre and Performance Studies. Her website is kroberts.au.

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