Hamlet's Fictions

Regular price €38.99
A01=Maurice Charney
Act III
Author_Maurice Charney
Broken Scene
Category=AB
Category=ATD
Category=DDA
Category=DSA
Category=DSB
Category=DSBD
Category=DSG
Closet Scene
Drama
dramatic passion and analogy exploration
dramatic structure studies
Elizabethan theatre conventions
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Ghost Scene
Hamlet's Fictions
Hamlet's Letter
Hamlet's Revenge
Hamlet's Soliloquy
Infinite Jest
Infinite Regress
Key Word
Literary Criticism
literary imagery research
Literature
Mobled Queen
Mother's Closet
Mousetrap Play
Offstage Speech
Ophelia's Mad Scene
Pirate Sailors
Plays
Prayer Scene
revenge tragedy scholarship
Richard III
Romeo andJuliet
Scene Iv
Scene Rows
Shaggy Dog Story
Shakespeare
Shakespearean tragedy analysis
soliloquy interpretation
Tragedy
Violate
Young Men

Product details

  • ISBN 9781138975651
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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"But in a fiction, in a dream of passion..." In an extended commentary on this passage this book offers a rationale for the excellence and primacy of this play among the tragedies. Throughout, emphasis is placed on Hamlet's fantasies and imaginations rather than on ethical criteria, and on the depiction of Hamlet as a revenge play through an exploration of its dark and mysterious aspects.

The book stresses the importance of Passion and Its Fictions in the play and attempts to explore the very Pirandellian topic of Hamlet's passion and dream of passion. It goes on to examine the organization of dramatic energies in the play - the use Shakespeare makes of analogy and infinite regress and of scene rows, broken scenes and impacted scenes, and the significance of the exact middle of Hamlet. The final section is devoted to conventions of style, imagery, and genre in the play - what is the stage situation of asides, soliloguies, and offstage speech? How is the imagery of skin disease and sealing distinctive? In what sense is Hamlet a comedy, or does it use comedy significantly?