Handel’s Grand Concertos Opus 6

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18th-century music
A01=Vadym Rakochi
Author_Vadym Rakochi
Baroque music
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Classical music
Composers
Composition
Concerti grossi
concerto classification
Concerto grosso
Concertos
Corellian model
Eighteenth-century music
eighteenth-century performance practice
English music
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George Friedrich Handel
German music
Grand concertos
Grand Concertos Op. 6
Handel
hybrid concerto forms study
instrumental analysis
Music history
Music theory
Musicology
Orchestra
Orchestral music
orchestral structure
Orchestration
ripieno technique

Product details

  • ISBN 9781032983486
  • Weight: 770g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book offers a deep analysis of Handel’s Twelve Grand Concertos, Op. 6, a part of Handel’s repertoire which has remained relatively understudied. Bringing together an analytical approach to the concertos with their historical context, the author shows how studying these concertos offers new insights into Handel’s innovative and deeply individual compositional techniques, reframing our modern understanding of Handel as a composer. Refocusing scholarly attention on the crucial role of the orchestra, this book demonstrates how Handel utilised a unique compositional strategy that involved juxtaposing and fusing elements of different concerto types, including the grosso, ripieno, solo, and hybrid concerto. Revealing the remarkable consistency and creative deployment of the multilayered interconnections between concerto types in these works, this study shows that they represent a novel development in the history of the concerto genre. Shedding new light on Handel’s Grand Concertos, on Handel as a composer, and the history of the concerto, this book is relevant to Handel scholars, musicologists, music theorists, and all those with a serious interest in Handel and eighteenth-century music.

Vadym Rakochi, Lecturer in the Department of Music and Scientific Collaborator at the Institute for Music Research at Zurich University of the Arts, Switzerland (2022–2025), is currently a Docent at Basel University, Switzerland.

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