Happiness and Tears, After Cavell

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American cinema moral philosophy
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Cavell's influence on modern Hollywood narratives
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femnist perspectives on the melodrama of the unknown woman
philosophical readings of Hollywood films
Tenet and the evolution of Cavellian genre theory

Product details

  • ISBN 9798855804720
  • Weight: 658g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Dec 2025
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Hardback
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Explores contemporary expressions of these two genres, and their continuing relevance, in recent Hollywood films.

Stanley Cavell's influential philosophical work on American cinema concerns itself with the thought that some of the most popular movies of Hollywood's Golden Age constitute two related, but previously undefined, genres that he names "the comedy of remarriage" and "the melodrama of the unknown woman," respectively. In this collection, the first devoted to the subject, leading figures in philosophy and film studies provide detailed readings of more recent Hollywood films that show how these two genres continue to be inherited in American cinema, not least by the films' participation in a certain moral outlook—concerning personal and cultural transformation—that Cavell calls "Emersonian Perfectionism." The films discussed include Rich and Famous, As Good as It Gets, My Best Friend's Wedding, Revolutionary Road, On the Rocks, Palm Springs, and Tenet.

Paul Deb is Research Associate in Philosophy at New College, Oxford.