Happiness by Design

Regular price €140.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Justus Nieland
Author_Justus Nieland
Category=AGA
Category=AK
Category=ATFA
Category=JBCT
Charles and Ray Eames
cinema
Cold War
Communication
design
Design conferences
Design history
eames
eames chair
epistemology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
film and media historiography
Film and media theory
film theory
Gyo?rgy Kepes
Happiness
happiness industry
industrial film
La'szlo' Moholy-Nagy
La´szlo´ Moholy-Nagy
liberal arts
Liberalism
Midcentury
midcentury modern
Modernism
modernist studies
movies
neoliberalism
positivity
postwar media
The Bauhaus
useful cinema
Visual Culture
Walter Paepcke
Will Burtin

Product details

  • ISBN 9781517902049
  • Dimensions: 178 x 229mm
  • Publication Date: 18 Feb 2020
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

A cultural history of modern lifestyle viewed through film and multimedia experiments of midcentury designers Charles and Ray Eames 

 

For the designers Charles and Ray Eames, happiness was both a technical and ideological problem central to the future of liberal democracy. Being happy demanded new things but also a vanguard life in media that the Eameses modeled as they brought film into their design practice. Midcentury modernism is often considered institutionalized, but Happiness by Design casts Eames-era designers as innovative media artists, technophilic humanists, change managers, and neglected film theorists.

Happiness by Design offers a fresh cultural history of midcentury modernism through the film and multimedia experiments of Charles and Ray Eames and their peers-Will Burtin, LÁszlÓ Moholy-Nagy, and GyÖrgy Kepes, among others-at a moment when designers enjoyed a new cultural prestige. Justus Nieland traces how, as representatives of the American Century’s exuberant material culture, Cold War designers engaged in creative activities that spanned disciplines and blended art and technoscience while reckoning with the environmental reach of media at the dawn of the information age.

Eames-era modernism, Nieland shows, fueled novel techniques of culture administration, spawning new partnerships between cultural and educational institutions, corporations, and the state. From the studio, showroom floor, or classroom to the stages of world fairs and international conferences, the midcentury multimedia experiments of Charles and Ray Eames and their circle became key to a liberal democratic lifestyle-and also anticipated the look and feel of our networked present.

Justus Nieland is professor of English at Michigan State University. He is author of David Lynch and Feeling Modern: The Eccentricities of Public Life; coauthor of Film Noir: Hard-Boiled Modernity and the Cultures of Globalization; and coeditor of the Contemporary Film Directors book series.

More from this author