Kinship and Performance in the Black and Green Atlantic

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A01=Kathleen Gough
abolitionist rhetoric
Alice Childress
anti-slavery
Anti-slavery Lectures
Antislavery Lecture
Atlantic historiography
Atlantic Studies
Author_Kathleen Gough
Bernadette Devlin
Blackface Minstrelsy
Category=ATD
Category=JBSL
cathleen
Cathleen Ni Houliahn
Celtic Tiger
civil rights movements
Coole Park
diaspora studies
douglass
Douglass's Narrative
Douglass’s Narrative
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eq_bestseller
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Ethnography
famine
Famine Women
Female Social Actors
Feminist Theory
frederick
Frederick Douglas
Gender Studies
gendered community
great
Great Famine
Green Atlantic
Harlem Renaissance
houlihan
Ida B. Wells
intercultural performance
Intermediality
irish
Irish Question
Jim Crow
Joan's Image
Joan’s Image
Jook House
Jook Joint
Lady Augusta Gregory
lectures
Lenticular Image
Magic Lantern Projector
Maud Gonne
Northern Irish
Racial Melodrama
Riemannian Space
sarah
Sarah Worth
Slave Ship Zong
Store Porch
transnational performance analysis
Uncle Tom's Cabin
Uncle Tom’s Cabin
Workhouse Ward
WPC
Young Man
Zora Neale Hurston

Product details

  • ISBN 9781138494992
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Kinship and Performance in the Black and Green Atlantic advances an innovative and compelling approach to writing comparative studies of performance in transnational, intercultural relation to one another. Its chosen subject in this case is the cultural and political intersection of African and Irish diasporic peoples and movements.

Gough approaches her subject via five key "flashpoints" in Black/Green relations, moving from the mid-nineteenth century to the early twenty-first century. In turn, each of these is related to mediums of performance that were prevalent at the time, such as abolitionist oratory and melodrama, photography and tableaux, architecture and folk drama, television and political demonstrations, and visual art and dramaturgy.

By examining the unlikely kinship between social actors such as Ida B. Wells and Maud Gonne, Lady Augusta Gregory and Zora Neale Hurston, and Bernadette Devlin and Alice Childress, along with a host of old and new theatrical "characters," this book explores how a transmedial investigation of gender, community, and performance allows for a revision of historiography in Atlantic studies, while the study itself revises and reimagines key concepts central to performance studies.

In 2014 Kinship and Performance was given the Errol Hill Award for Outstanding Scholarship in African American Theatre from the American Society for Theatre Research.

Kathleen M. Gough is Associate Professor of Theatre Studies and resident dramaturge in the Department of Theatre at the University of Vermont, USA.

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