Harlequin Empire

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A01=David Worrall
Author_David Worrall
Black Beetles
British stage racial narratives
Captain Cook
Castle Spectre
Category=ATD
Category=NH
Category=NHTB
colonial representation
Colonies
cultural identity formation
De Loutherbourg
Domesticity
East Indies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George III
Georgian Playhouses
Georgian theatre studies
Gun Boat
Hindu
HMS Tiger
Indies
Iron Chest
La Perouse
Lord Chamberlain's Examiner
Lord Chamberlain's Office
Lord Chamberlain’s Examiner
Lord Chamberlain’s Office
Lord Mayor's Day
Lord Mayor’s Day
Melodrama
Muslim
Nationalism
Park Street
performance history
Pitcairn's Island
Pitcairn’s Island
plebeian enlightenment
Poetry
Print Culture
Race
Relationships
Richard III
Royal Coburg
Royal Coburg Theatre
Servants
Shakespeare's Richard III
Shakespeare’s Richard III
Slavery
Theatre
Tippoo Saib
Tippoo Sultaun
transatlantic drama
Van Diemen's Land
Van Diemen’s Land
War
Wild Man

Product details

  • ISBN 9781851968510
  • Weight: 521g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Jan 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.

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