Harold Pinter's Shakespeare

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A01=Charles Morton
Akira Kurosawa
Author_Charles Morton
British theatre history
Brook's Film
Brook’s Film
Cambridge
Cambridge University
Category=ATD
Category=ATDC
Category=DD
Category=DDA
Category=DSG
Danse Macabre
dramatic adaptation techniques
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_poetry
Gloucester's Castle
Gloucester’s Castle
Grigori Kozintsev
Hall's Approach
Hall's Understanding
Hall’s Approach
Hall’s Understanding
intertextuality in literature
King Lear
Kurosawa's Ran
Kurosawa’s Ran
modern drama analysis
Nobel Prize Committee
Opening Montage
performance studies
Perse School
Pinter's Adaptation
Pinter's Career
Pinter's Plays
Pinter's Screenplay
Pinter's Work
Pinter’s Adaptation
Pinter’s Career
Pinter’s Plays
Pinter’s Screenplay
Pinter’s Work
Richard III
Royal Shakespeare Company
RSC Production
Shakespeare Memorial Theatre
Shakespeare's Influence
Shakespeare's Text
Shakespeare's Writing
Shakespearean influence on Pinter plays
Shakespeare’s Text
Shakespeare’s Writing

Product details

  • ISBN 9781032182643
  • Weight: 270g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book charts the impact of Shakespeare’s works on Harold Pinter’s career as a playwright.

This exploration traces Shakespeare’s influence through Pinter’s pre-theatre writings (1950-1956), to his collaboration with Sir Peter Hall (starting properly at the RSC in 1962 and continuing until 1983), and a late, unpublished screenplay for an adaptation of The Tragedy of King Lear (2000). Adding to studies of playwrights such as Samuel Beckett and James Joyce as significant influences on Harold Pinter’s work, this study aims to highlight the significant and lasting impact that Shakespeare had both formatively and performatively on the playwright’s career. Through exploring this influence, Morton gains not only a greater understanding of the shaping of Pinter’s artistic outlook and how this affected his writing, but it also sheds light on the various forms of Shakespeare’s continued influence on new writing, and what can be gained from this.

This study will be of great interest to students and scholars in theatre and performance studies.

Charles Morton is a Lecturer in English Literature and Theatre at Wroxton College, Fairleigh Dickinson University, UK. His previous academic positions include appointments at Birmingham City University, Brunel University London, Newman University and the University of Birmingham. He earned a PhD in Shakespeare Studies from the Shakespeare Institute, University of Birmingham.

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