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Hart Crane and Allen Tate
Hart Crane and Allen Tate
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A01=Langdon Hammer
Absalom
Age Group_Uncategorized
Age Group_Uncategorized
Allen Ginsberg
Allen Tate
Amy Lowell
Anatol Rapoport
Archetype
Arthur Hugh Clough
Arthur Rimbaud
Author_Langdon Hammer
automatic-update
Bartleby
Biography
Blazon
Category1=Non-Fiction
Category=DCF
Conceit
COP=United States
Criticism
David Elazar
Delivery_Pre-order
Diction
Edwin Arlington Robinson
Elegiac
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Erich Auerbach
Essay
Eve Kosofsky Sedgwick
Explanation
Exposition (narrative)
G. Thomas Tanselle
Genre
George Santayana
Gerald Graff
Gerontion
Hart Crane
Herbert Read
Hiram Wesley Evans
Jean-Paul Sartre
Joab
Johann Gustav Droysen
John Crowe Ransom
John Donne
John Middleton Murry
Kenneth Burke
Language_English
Le Bateau ivre
Lionel Trilling
Lord Weary's Castle
Madame Bovary
Melodrama
Mr.
Narrative
PA=Temporarily unavailable
Parable
Paul de Man
Paul Nitze
Pindar
Poetry
Postscript
Price_€100 and above
Prose
PS=Active
Pyre
Quatrain
Quotation mark
Randall Jarrell
Refrain
Richard H. Brodhead
Sociolect
softlaunch
Sonnet
Sophocles
Stanza
Stephen Dedalus
Stuart Ewen
Synesthesia
The Encantadas
the Scrivener
The War Within (Woodward book)
Vanderbilt University
Verb
Wyndham Lewis
Yaddo
Product details
- ISBN 9780691654393
- Weight: 709g
- Dimensions: 178 x 254mm
- Publication Date: 21 Mar 2017
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of "genius" and "poet-critic." Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching.
Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's "confessional" poetry recapitulates the conflict enacted by Crane and Tate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Hart Crane and Allen Tate
€122.99
