Haunted Europe

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18th century ilterature
19th century literature
20th century literature
American Imperial Gothic
Andrew Defty
anti-Catholicism
black magic
British Gothic literature
British perceptions of continental Gothic
Carmilla
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Catholicism
Christian
Christianity
Christmas Ghost Story
Clock Watcher
conflict
continental Europe
continental identity formation
Daphne Du Maurier
death
Death in Venice
Dracula
Du Maurier
enlightenment
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eq_biography-true-stories
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eq_non-fiction
European horror media
film studies
Flying Dutchman
Game of Thrones
ghost stories
ghosts
ghoul
God
Gothic Imagination
Gothic Literature
gothic studies
Grander Impact
Haunted Hotel
haunting
Head Wound
Heart of Darkness
hotels
Imperial Gothic
Italy
James's Tales
James’s Tales
Le Fanu
Liminal Beings
literary representations of otherness
long 18th century
long 19th century
Minimally Conscious State
Modern Rome
moral bankruptcy
Night of the Living Dead
Nineteenth Century Gothic Fictions
occult
Ottomans
phantom
Race
racism
religion
Rival's Head
Rival’s Head
Satan
satanic
sexual depravity
sexuality
slavery
Sleepy Hollow
strange stories
Sultan Mehmed II
supernatural
supernatural narratives
The Monk
The Sentinel
The Walking Dead
Thomas Mann
Tourist Gothic
Translyvania
transnational cultural studies
travel writing
UK's Membership
UK’s Membership
vampire
Visualization
war
war literature
Web Series
West Germany
Young Man

Product details

  • ISBN 9781032240862
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Haunted Europe offers the first comprehensive account of the British and Irish fascination with a Gothic vision of continental Europe, tracing its effect on British intellectual life from the birth of the Gothic novel, to the eve of Brexit, and the symbolic recalibration of the UK’s relationship to mainland Europe.

By focusing on the development of the relationship between Britain and Ireland and continental Europe over more than two-hundred years, this collection marks an important departure from standard literary critical narratives, which have tended to focus on a narrow time-period and have missed continuities and discontinuities in our ongoing relationship with the mainland.

Evert Jan van Leeuwen (Leiden University, the Netherlands) is author of House of Usher (Auteur Press 2019), co-editor of The Literary Utopias of Cultural Communities (Rodopi 2010), and has published articles in the Journal Eighteenth-Century Studies, the Nathaniel Hawthorne Review, and Studies in Gothic Fiction, amongst others.

Michael Newton (Leiden University, the Netherlands) is the author of the cultural histories, Savage Girls and Wild Boys and Age of Assassins, and of two BFI Film Classics books, on Kind Hearts and Coronets and Rosemary’s Baby, and also Show People: A History of the Film Star.