Haunted Heaney

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A01=Ian Hickey
Author_Ian Hickey
Bog Bodies
Bog Oak
Bog Poems
Bog Queen
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Category=DS
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classical intertextuality
Contemporary Society
Derrida philosophy
Derrida's Hauntology
Derrida’s Hauntology
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Grauballe Man
Haunting Nature
hauntology theory
Heaney Comments
Heaney's Poetry
Heaney's Translation
Heaney's Version
Heaney's Work
Heaney's Writing
Heaney’s Poetry
Heaney’s Translation
Heaney’s Version
Heaney’s Work
Heaney’s Writing
IRA's Action
IRA’s Action
Irish poetry analysis
Iron Age Scandinavia
Jacques Derrida's Thinking
Jacques Derrida’s Thinking
Lough Beg
Mystic Pad
Ocean's Love
Ocean’s Love
postcolonial literature studies
spectral influence in literature
spectrality in Seamus Heaney's works
Terza Rima
Tollund Man
Virgil's Text
Virgil's Work
Virgil’s Text
Virgil’s Work
Young Man

Product details

  • ISBN 9780367645281
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Haunted Heaney: Spectres and the Poetry looks at the ghosts and spectres present within the poetry of the Nobel Prize winning poet Seamus Heaney. Covering Heaney’s work from his first collection, Death of a Naturalist, to his final collection, Human Chain, this volume analyses Heaney’s poetry through the lens of hauntology as presented by Jacques Derrida in Specters of Marx. This book presents spectres and ghosts not in the conventional sense, as purely supernatural, physical manifestations haunting a place, but instead as having a non-physical presence. In this sense past cultures, societies, texts, poets, and memories are examined as having a spectral influence on Heaney’s writing. His work is indebted to hauntedness as the past in all its forms sutures itself within the present of his thinking and writing, and our reading of the poetry. Topics for discussion include the Norse spectres in the early poetry; British colonialism and its haunting influence on the poet; a renewed look at the bog poems as being influenced by the spectral; the classical influence of Virgil and Dante; and a reading of ‘Route 110’ that incorporates the major instances of Heaney’s career into a singular poem. The book also incorporates Heaney’s prose work and interviews into the discussion and uses these works as a metacommentary to the poetry offering a deeper insight into the mind of one of Ireland’s greatest writers.

Ian Hickey received his PhD from the Department of English Language and Literature at Mary Immaculate College, University of Limerick, in 2019. During his time there he worked as a Departmental Assistant in the Department of English Language and Literature and as a Research Assistant in the Irish Institute for Catholic Studies. He currently works as a Postdoctoral Researcher in the Irish Institute for Catholic Studies, Mary Immaculate College.

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