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Hawthorne, Sculpture, and the Question of American Art
Hawthorne, Sculpture, and the Question of American Art
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A01=Deanna Fernie
Age Group_Uncategorized
Age Group_Uncategorized
ALINARI Archives
American Sculptors
art history methodology
Athenaeum Fragment
Author_Deanna Fernie
automatic-update
Category1=Non-Fiction
Category=DSB
Christmas Banquet
COP=United Kingdom
Delivery_Pre-order
Drowne's Wooden Image
drownes
Drowne’s Wooden Image
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
faun
Great Stone Face
Greek Slave
Haunted Mind
Hawthorne sculpture literary analysis
Hawthorne's Narrative
Hawthorne's Sketches
Hawthorne's Story
Hawthorne’s Narrative
Hawthorne’s Sketches
Hawthorne’s Story
Hiram Powers
ideal
Ideal Sculpture
image
italian
Italian Notebooks
Language_English
literary fragmentation
Literary Sketch
marble
Marble Faun
Marble Version
miroir
monsieur
Monsieur Du Miroir
nineteenth-century American literature
notebooks
PA=Not yet available
Price_€20 to €50
Prophetic Pictures
PS=Active
Romanticism studies
Scarlet Letter
Sculptural Metaphor
Select Party
Ship Carving
softlaunch
transatlantic aesthetics
unfinished art motifs
Unfinished Form
wooden
Young Man
Product details
- ISBN 9781032923291
- Weight: 440g
- Dimensions: 156 x 234mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
Dr Deanna Fernie is an independent scholar who has studied and taught on both sides of the Atlantic.
Hawthorne, Sculpture, and the Question of American Art
€50.99
