Hazarding All

Regular price €28.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Sanford Budick
Age Group_Uncategorized
Age Group_Uncategorized
Author_Sanford Budick
automatic-update
bracketing
Category1=Non-Fiction
Category=DSG
Category=HP
Category=JFCX
Category=QDH
chiasmus
coexistent being
COP=United Kingdom
Delivery_Delivery within 10-20 working days
epoch?
epoche
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
intersubjectivity
Language_English
negativity
onlooker
PA=Available
Price_€20 to €50
PS=Active
softlaunch
sublime
theatricalisation

Product details

  • ISBN 9781474493161
  • Dimensions: 156 x 234mm
  • Publication Date: 22 May 2023
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Demonstrates how theatre and theatricalisation serve as the indispensable means for creating a kind of consciousness that exits as an unmediated encounter with actuality Shows the pervasiveness of Shakespeare's chiasmus of theatricalisation: the back-and-forth, and forth-and-back, movements between role-playing consciousness and a would-be non-role-playing consciousness that is never free from role-playing Demonstrates and explains how Shakespeare opens a shared space of negativity within partnered chiastic relation of two plays Explores that the product of this chiastic relation for the playwright and the spectator is an object of reflection that they encounter outside theatre Explains that, as a result, the playwright and the spectator move toward an intersubjectivity and a reciprocal intentionality toward sustained being Philosophers speak of newly accessed ways of knowing reality as epistemological shifts. This book demonstrates how Shakespeare effected a massive shift of just this kind in his bold management of theatricalisation itself. These pages levy on terms of Kant and Husserl that they elaborated in proposals for such shifts. It will be seen that Shakespeare exceeds the proposals of the philosophers. He anticipates and already brings to a working consummation a systematic and immediate access to the ways of knowing reality that they contemplate as hoped-for desiderata. In, and through, the drama of consciousness played out in the pairs of plays examined here, the playwright and the spectator together intersubjectively attain to an 'onlooker' consciousness that exits the fictionality, the play-acting, of theatricalisation; and they are enabled to recover the actuality of objects in their worlds.
Sanford Budick is Emeritus Professor of English at The Hebrew University of Jerusalem and was formerly Professor of English at Cornell University. He has published six monographs, two of which won the Hanford Award of the Milton Society and has edited three collections of essays on key issues in literary studies.

More from this author