Heavy Metal Music and the Communal Experience

Regular price €49.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A32=Bradley J. Nelson
A32=Brian Hickam
A32=Eric Morales
A32=Esther Clinton
A32=Kathryn Jezer-Morton
A32=Keith Kahn-Harris
A32=Sigrid Mendoza
A32=Toni-Matti Karjalainen
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Nelson Varas-Díaz
B01=Niall W.R. Scott
Category1=Non-Fiction
Category=AVGT
Category=AVLP
Category=JBCC1
Category=JFCA
Category=JHMC
Community
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Groups
Heavy Metal
Language_English
Metal
Music
Music and Community
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781498506403
  • Weight: 354g
  • Dimensions: 153 x 218mm
  • Publication Date: 06 Aug 2019
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

It is common to hear heavy metal music fans and musicians talk about the “metal community”. This concept, which is widely used when referencing this musical genre, encompasses multiple complex aspects that are seldom addressed in traditional academic endeavors including shared aesthetics, musical practices, geographies, and narratives. The idea of a “metal community” recognizes that fans and musicians frequently identify as part of a collective group, larger than any particular individual. Still, when examined in detail, the idea raises more questions than answers. What criteria are used to define groups of people as part of the community? How are metal communities formed and maintained through time? How do metal communities interact with local cultures throughout the world? How will metal communities change over the lifespan of their members? Are metal communities even possible in light of the importance placed on individualism in this musical genre? These are just some of the questions that arise when the concept of “community” is used in relation to heavy metal music. And yet in the face of all these complexities, heavy metal fans continue to think of themselves as a unified collective entity.

This book addresses this notion of “metal community” via the experiences of authors and fans through theoretical reflections and empirical research. Their contributions focus on how metal communities are conceptualized, created, shaped, maintained, interact with their context, and address internal tensions. The book provides scholars, and other interested in the field of metal music studies, with a state of the art reflection on how metal communities are constituted, while also addressing their limits and future challenges.

Nelson Varas-Díaz is professor of social-community psychology at the Florida International University.

Niall Scott is senior lecturer in ethics at the University of Central Lancashire.