Heavyweight

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A01=Jordana Moore Saggese
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art history
Ashcan School
Author_Jordana Moore Saggese
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Ben Bailey
Black body
boxing
Category1=Non-Fiction
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Category=WSTB
celebrity
COP=United States
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Eadweard Muybridge
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eq_society-politics
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George Bellows
Jack Johnson
Jim Crow
Language_English
Lyle Ashton Harris
masculinity
Muhammad Ali
Neoclassicism
nineteenth century
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Peter Jackson
photography
physical culture
Price_€20 to €50
prizefighting
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race
softlaunch
sports history
The National Police Gazette
visual studies
white manhood

Product details

  • ISBN 9781478030638
  • Weight: 431g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Aug 2024
  • Publisher: Duke University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the “shadow archive” of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, shedemonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body-existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.
Jordana Moore Saggese is Professor of Art History and Archaeology at the University of Maryland, College Park, author of Reading Basquiat: Exploring Ambivalence in American Art, and editor of The Jean-Michel Basquiat Reader: Writings, Interviews, and Critical Responses.

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