Heiner Müller's Democratic Theater

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A01=Michael Wood
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analysis
Author_Michael Wood
automatic-update
capitalism
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DS
Category=DSG
Cold War
communism
COP=United States
Delivery_Delivery within 10-20 working days
democratic theater
drama
East Germany
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BB
Format_Hardback
Heiner Muller
Language_English
MD
PA=Available
politics
Price_€50 to €100
PS=Active
softlaunch
stage
theater
theatre
twentieth century
war

Product details

  • ISBN 9781571139986
  • Format: Hardback
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2017
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater. The East German playwright Heiner Müller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Müller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Müller's interests in democracy and audience activity,Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Müller's work as playwright and director. In 1985, Müller spoke of the importance of a "democratic" theater: one thatconfronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's studyshows that Müller sought to do this in his combined 1988 production of Der Lohndrücker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Müller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014.

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