20th century
A01=Irene V. Small
archival research
art
artistic
artists
Author_Irene V. Small
brazil
brazilian
Category=AGA
Category=AGB
color
criticism
environment
environmental
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
geometric abstraction
innovative
interpretation
latin america
modernism
modernity
modernization
neo-concrete movement
painting
participation
participatory
performance artist
progress
sculptor
spectator
visual
visualization
Product details
- ISBN 9780226260167
- Weight: 1361g
- Dimensions: 22 x 26mm
- Publication Date: 03 Feb 2016
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
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Helio Oiticica (1937-80) was one of the most brilliant Brazilian artists of the 1960s and 1970s. His unique melding of geometric abstraction with works that directly engage viewers' bodies has influenced contemporary artists from Gabriel Orozco and Cildo Meireles to Rirkrit Tiravanija and Nick Cave. This is the first book to examine Oiticica's impressive works against the backdrop of Brazil's dramatic postwar push for modernization. From Oiticica's late-'50s experiments with painting and color to his mid-'60s wearable Parangoles, Irene V. Small traces a series of artistic procedures that foreground his later inclusion of the spectator. Analyzing artworks and a wealth of archival material, she shows how Oiticica's work recast-in a sense "folded"-Brazil's utopian vision of progress and the legacy of European constructive art. Ultimately, Helio Oiticica argues that the effectiveness of Oiticica's participatory works stems not from a renunciation of art, but rather from their ability to dialogue with their surroundings and reimagine the traditional boundaries between art and life.
Irene V. Small is assistant professor in the Department of Art and Archaeology at Princeton University, where she is also an affiliated faculty member in the Latin American studies program and the media and modernity program.
