Henry Irving and The Victorian Theatre

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19th century history
19th century theatre
A01=Madeleine Bingham
acting history
actor biography
actor Henry Irving's
Author_Madeleine Bingham
Bernard Shaw
Brocken Scene
Category=AB
Category=ATC
Category=ATD
Charlotte Bingham
Colleen Bawn
Dr Pinches
drama history
Ellen Terry
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George III
Gilt Edges
Irving Hamlet
Irving Shakespeare
Irving's Acting
Irving’s Acting
John Gielgud
La Petite Fadette
Lyceum
Lyceum productions
Madeleine Bingham
Mrs Aria
Napoleon III
Parlour Car
Play Back
Queen Anne's Lace
Queen Anne’s Lace
Richard III
Robert Macaire
Sleigh Bells
social entertaining
Son's Choice
Son’s Choice
theatre history
Victorian ethic
victorian history
Victorian theatre
West Brompton
Wicked City
William Terriss
Young Man

Product details

  • ISBN 9781138936553
  • Weight: 589g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Jul 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1978. Henry Irving achieved an astounding success in Britain and America as an actor; yet he lacked good looks, had spindly legs, and did not have a good voice. He said so himself. Today Irving is regarded as the archetype of the old-time actor, but in his own time he was regarded as a great theatrical innovator. Even Bernard Shaw, who attacked him pitilessly, even unto death, called him ‘modern’ when he first saw him act.

Irving, the man, with his tenacious, obsessive talent, his human limitations and weaknesses, and his ephemeral glory is brought most sympathetically to life in this biography. It is written from contemporary sources, and from criticisms, lampoons, caricatures and gossip columns.

If Irving reflected certain aspects of his age, this book underlines the Victorian ethic to which he appealed and the backcloths against which it was set – the extraordinary lavishness of the Lyceum productions and the incredible extravagance of social entertaining. Not the least absorbing aspect of this biography is the fascinating account of the long partnership between Irving and Ellen Terry, still in many respects an enigmatic one, but here portrayed with lively insight into character combined with understanding and deep knowledge of the social and theatrical context of the Victorian age.

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