Henry IV, Parts I and II
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€235.60
A. C. Bradley
Act Iii
Arthur Colby Sprague
Bernard Spivack
C. L. Barber
Category=AFKP
Category=ATD
Category=DSBD
Category=DSG
character study Falstaff
Corbyn Morris
D. J. Palmer
Doll Tearsheet
E. M. W. Tillyard
early modern literature
Edward Dowden
Elizabeth Montagu
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eq_isMigrated=2
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evolution of Falstaff criticism
Falstaff
Falstaff's Wit
Falstaff's World
Falstaff’s Wit
Falstaff’s World
G. K. Hunter
Gadshill Robbery
Gaultree Forest
George Bernard Shaw
Henry IV
Henry Mackenzie
historical play criticism
Jack Falstaff
John Dover Wilson
Jonas A. Barish
KING HENRY
literary theory perspectives
Mark Van Doren
Maurice Morgann
Monsieur Remorse
Northrop Frye
Paul A. Gottschalk
Play Back
Play Extempore
R. J. Dorius
R. L. Smallwood
Richard Cumberland
Richard III
Robert G. Hunter
Robert Langbaum
Robert N. Watson
Ronald R. Macdonald
Roy Dotrice
RSC Production
Samuel Johnson
Samuel Taylor Coleridge
Shakespeare's Richard III
Shakespearean drama analysis
Shakespeare’s Richard III
Sigurd Burckhardt
Sir John Falstaff
Sir John Oldcastle
Sir Walter Blunt
Sweet Jack Falstaff
T. F. Wharton
Tavern Scenes
theatrical interpretation studies
W. H. Auden
White Bearded Satan
William Hazlitt
Young Man
Product details
- ISBN 9781138849600
- Weight: 657g
- Dimensions: 138 x 216mm
- Publication Date: 02 Apr 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Originally published in 1986. This volume points to the rich variety of critical responses to the Henry IV plays and their complexity. It includes selections from characteristic thought of the neoclassical age, character criticism in the eighteenth and nineteenth centuries, historical and new criticism, theatrical interpretation and other pieces by the likes of Samuel Johnson and W. H. Auden. The editor’s introduction explains the collection’s relevance and puts the pieces in context. Several chapters look at the character of Falstaff and the changing response and critique through time. Organised chronologically, the collection then ends with two pieces of theatrical criticism.
