Henry Miller and Narrative Form

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A01=James Decker
American Literary Tradition
Artistic Grotesque
Author_James Decker
autobiographical
Autobiographical Aesthetic
Autobiographical Romances
black
Black Spring
Category=DS
clipped
Clock Time
Concerted Effort
digressive narrative
Dos Passos
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Graphic Sexual Scenes
Henry Miller
Hero's Journey
Interior Monolog
Internal Monolog
Intertextual Moments
Jeffrey Eugenides
John Dos Passos
John Tytell
Knut Hamsun
literary modernism
Miller's Narratives
millers
modernist literature
narratology
norden
Prenatal Time
romances
Rosy Crucifixion
self-construction theory
spiral
Spiral Form
spiral narrative analysis
spring
Tailor Shop
Tony's Dream
twentieth-century authors
van
wings
Young Man

Product details

  • ISBN 9780415360265
  • Weight: 408g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Nov 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this bold study James M. Decker argues against the commonly held opinion that Henry Miller’s narratives suffer from ‘formlessness’. He instead positions Miller as a stylistic pioneer, whose place must be assured in the American literary canon.

From Moloch to Nexus through such widely-read texts as Tropic of Cancer and Tropic of Capricorn, Decker examines what Miller calls his ‘spiral form’, a radically digressive style that shifts wildly between realism and the fantastic. Drawing on a variety of narratological and critical sources, as well as Miller’s own aesthetic theories, he highlights that this fragmented narrative style formed part of a sustained critique of modern spiritual decay. A deliberate move rather than a compositional weakness, then, Miller’s style finds a wide variety of antecedents in the work of such figures as Nietzsche, Rabelais, Joyce, Bergson and Whitman, and is viewed by Decker as an attempt to chart the journey of the self through the modern city.

Henry Miller and Narrative Form affords readers new insights into some of the most challenging writings of the twentieth century and provides a template for understanding the significance of an extraordinary and inventive narrative form.

James M. Decker is Associate Professor of English at Illinois Central College, where he teaches a range of literature and writing courses. He is the author of Ideology (2003) and Editor of Nexus: The International Henry Miller Journal.

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