Henry Taylor: B Side

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A07=Henry Taylor
A14=Bob Kaufman
A14=Charles Gaines
A14=Frances Stark
A14=Harmony Holiday
A14=Karon Davis
A14=Walter Price
A14=Wanda Coleman
A23=Johanna Burton
Age Group_Uncategorized
Age Group_Uncategorized
American artist
automatic-update
B01=Bennett Simpson
Black artist
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AGB
Category=JBSL1
Category=JFSL1
Category=JFSL3
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Henry Taylor
Language_English
Los Angeles
PA=Available
Painter
Portraits
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9781636810560
  • Dimensions: 229 x 279mm
  • Publication Date: 15 Dec 2022
  • Publisher: Distributed Art Publishers
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America Published with The Museum of Contemporary Art, Los Angeles. Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux—populated by friends, family members, strangers on the street, athletic stars and entertainers—display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular. Raised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.