Heritage, Photography, and the Affective Past

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Colin Sterling
Affective
Affective Memories
Affective Topographies
Age Group_Uncategorized
Age Group_Uncategorized
Angkor Archaeological Park
Angkor Wat
archival analysis
Archive
Author_Colin Sterling
automatic-update
Category1=Non-Fiction
Category=AJ
Category=GLZ
Category=GM
Category=JBCC
Category=JFC
Category=JHB
Commission Des Monuments Historiques
Concerted Efforts
Consumption
COP=United Kingdom
critical heritage studies
Current Heritage
Delivery_Delivery within 10-20 working days
Emotion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic research methods
Ethnography
family album
Glass Plate Negatives
global image archives
Greek Cypriot
Heritage
heritage domains
Heritage Memory
Heritage Practices
History
Image
Interpretation
Language_English
Memory
memory studies
museology practice
National Archive UK
National Library
Northern Cyprus
Official State Archives
PA=Available
Past
Phnom Bakheng
Photographic Encounter
photographic heritage interpretation
photographic research
Photography
Present
Price_€100 and above
Production
Prospective Memory
PS=Active
Siem Reap
softlaunch
Sterling
Ta Prohm
Tourism
Tourist Photography
View Point
visual anthropology
Wellcome Collection
Wet Collodion Process

Product details

  • ISBN 9780367135577
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Sep 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Heritage, Photography, and the Affective Past critically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts.

Drawing on wide-ranging experience across the heritage sector and two international case studies – Angkor in Cambodia and the town of Famagusta, Cyprus – the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insight to the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches.

Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.

Colin Sterling is Assistant Professor in Memory and Museums at the University of Amsterdam. His research focuses on critical-creative approaches to heritage, memory and museums. He is interested in how artists, designers, architects, writers and other creative practitioners engage with museums and heritage as spaces of critical enquiry. Colin was previously an AHRC Research Fellow at UCL Institute of Archaeology and a Project Curator at the Royal Institute of British Architects. He has worked as a heritage consultant internationally, specialising in curatorial planning and interpretation. He is currently co-editor of the journal Museums & Social Issues.

More from this author