Hexachords in Late-Renaissance Music

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Ahi Lasso
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Cantus Firmus
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Cinque Voci
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Cruda Amarilli
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Descending Tetrachord
Dissonance Treatment
Dolce Stile
Dominant Seventh
English hexachord usage in Renaissance music
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Fa Mi
Ferrabosco II
Hexachord Syllables
Hexachord System
hexachords
La Ver
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Marenzio's Setting
Marenzio’s Setting
Mi Fa
modal counterpoint
music theory pedagogy
Musica Ficta
Musica Recta
musical language
Naturale Hexachord
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Petrarch's Sestina
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Phrygian Cadence
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Prima Prattica
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Renaissance composers analysis
Renaissance musicians
Seconda Prattica
sixteenth-century music
sixteenth-century notation
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Solmization Syllables
solmization techniques
vocal polyphony studies

Product details

  • ISBN 9781138386075
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 May 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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First published in 1998, this broad survey includes a large number of musical illustrations and provides an indispensable guide for both students and teachers.

Hexachords and solmization syllables formed the foundations of musical language during the sixteenth century. Yet, owing to changes over time in music education and style, there no longer exists widespread general knowledge of hexachords. Without this awareness it is impossible to appreciate fully the music of the most important composers of the Renaissance such as Palestrina, Lasso and Monteverdi. This book is the first attempt to fill such a gap in our understanding of hexachords and how they were employed in late-Renaissance music.

Lionel Pike’s research covers the period from Willaert to Dowland (c. 1530-1600) and examines the ways in which the uses of hexachords developed in the hands of different composers. The book concludes with an investigation of English examples of hexachords in vocal and instrumental music.

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