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A01=Daan Veldhuizen
A01=Hanneke Nap
A01=Jos Koldeweij
A01=Luuk Hoogstede
A01=Matthijs Ilsink
A01=Rik Klein Gotink
A01=Robert G. Erdmann
A01=Ron Spronk
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Author_Daan Veldhuizen
Author_Hanneke Nap
Author_Jos Koldeweij
Author_Luuk Hoogstede
Author_Matthijs Ilsink
Author_Rik Klein Gotink
Author_Robert G. Erdmann
Author_Ron Spronk
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Category=AFC
Category=AGA
Category=AGB
COP=United States
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Language_English
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Product details

  • ISBN 9780300220155
  • Weight: 3221g
  • Dimensions: 241 x 324mm
  • Publication Date: 15 Mar 2016
  • Publisher: Yale University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures have received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented Bosch's extant paintings with infrared reflectography and ultra high-resolution digital macro photography, both in infrared and visible light. Together with microscopic study of the paintings, this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time.

Distributed for Mercatorfonds
Luuk Hoogstede is a paintings conservator at SRAL, Maastricht. Ron Spronk is professor in art history at Queen’s University, Kingston, Ontario, Canada, and Radboud University, Nijmegen, the Netherlands. Matthijs Ilsink is the project coordinator of the Bosch Research and Conservation Project and teaches art history at Radboud University, Nijmegen, the Netherlands. Jos Koldeweij is professor in art history of the Middle Ages at Radboud University, Nijmegen, the Netherlands.

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