Hieronymus Bosch & the Other Renaissance

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15th century
16th century
16th century art
A01=Bernard Aikema
A01=Fernando Checa Cremades
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Age Group_Uncategorized
allegorical monsters in Renaissance art
art and monsters in the Renaissance
art history of the Renaissance period
art of Hieronymus Bosch
art of the 16th century
art of the grotesque
art of the strange and unusual
artist
Author_Bernard Aikema
Author_Fernando Checa Cremades
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beasties
Bernard Aikema
Bosch art
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Category=AGA
catholic
catholicism
christian
christianity
collection
COP=United States
creature
creatures and myths in Renaissance art
creatures in Renaissance paintings
creatures of the imagination
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demons
devils
disturbing
Dutch
Early Netherlandish
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europe
european
European art
European art in the 16th century
exotic
exploring Bosch's art
exploring Bosch’s art
fantastic
fantastical creatures in art
Fernando Checa Cremades
fifteenth century
garden of earthly delights
gothic
grotesque
hell
Hieronymus Bosch
Hieronymus Bosch & the Other Renaissance
Hieronymus Bosch paintings
Hieronymus Bosch's influence
Hieronymus Bosch’s influence
historical art analysis
historical art and monsters
history of fantastical creatures in art
holland
Language_English
macabre
monster
monster symbolism in art
monsters in Renaissance art
mythical creatures in European art
netherlands
nightmare
oak
oddity
oil painting
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painter
painting
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renaissance
Renaissance art history
Renaissance artists and their creations
Renaissance fantasy art
Renaissance imagination
Renaissance monsters and creatures
Renaissance symbolism in visual arts
Renaissance visual culture
Renaissance visual storytelling
satan
softlaunch
surreal Renaissance art
surrealism and Renaissance art
symbolism in Renaissance art
triptych
understanding Bosch's vision
understanding Bosch’s vision

Product details

  • ISBN 9781419774119
  • Weight: 1384g
  • Dimensions: 279 x 330mm
  • Publication Date: 21 Nov 2024
  • Publisher: Abrams
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A groundbreaking, richly illustrated art history volume that rewrites the conventional narrative of the Renaissance by focusing on the era's dark, surreal, and monstrous imagination.

When we think of the Renaissance, we recall harmony, humanism, and classical perfection. But what about the nightmares?

This essential book dives deep into the unsettling, fantastic world of Hieronymus Bosch—the enigmatic master of monsters—and argues that his dark vision was not an anomaly, but a vital, vibrant thread running through the art and culture of the 16th century.

This is a must-have volume for art historians, students of the grotesque, and anyone who appreciates the dark, complex, and beautiful side of historical art. It is the definitive guide to understanding the other Renaissance—the one defined by devils, demons, and dreams.

The Unseen Renaissance:

  • Beyond the Ideal: Explore how artists across Europe—including contemporaries of Raphael and Michelangelo—were captivated by the grotesque, the satirical, and the terrifying, often using monsters and strange creatures to express moral, social, and political anxieties.
  • Bosch's Enduring Legacy: Analyze the profound influence of Bosch’s apocalyptic visions and nightmarish hellscapes, particularly The Garden of Earthly Delights, on subsequent generations of painters, printmakers, and artisans.
  • The Power of the Print: Discover the crucial role of printmaking in spreading these fantastic images—from demonic folklore to fantastical hybrids—to a wider audience than ever before, capturing the popular imagination for centuries.
  • A New Context for the Grotesque: The book draws on theology, folklore, and emerging science to place these visual horrors in their proper historical and intellectual context, revealing why these creatures held such fascination for the minds of the period.
Bernard Aikema, author and co-editor, is a professor of modern art history at the University of Verona, and a great expert on the artistic relations between European countries in the modern era. Fernando Checa Cremades, author and co-editor, is an art historian and former director of the Prado Museum in Madrid. Essays are contributed by Joaquim Oliveira Caetano (Portugal), Juliette Ferdinand (Italy), Thomas Dalla Costa (Italy), Giulia Zanon (Italy), Claudio Salsi (Italy), Paula Findlen (United States), Ralph Dekoninck (Belgium), David Zagoury (Switzerland), Florike Egmond (The Netherlands), Daan van Heesch (Belgium), Concha Herrero (Spain), Noelia Garcia Perez (Spain), and Bertram Kaschek (Germany).