Hillbilly Maidens, Okies, and Cowgirls

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A01=Stephanie Vander Wel
Age Group_Uncategorized
Age Group_Uncategorized
Al Dexter
Author_Stephanie Vander Wel
automatic-update
barn-dance radio
California country music
Carolina Cotton
Category1=Non-Fiction
Category=AVGL
Category=AVL
Category=JBSF1
Category=JFSJ1
Chicago
class politics and resistance
COP=United States
country music industry
dance hall
Delivery_Delivery within 10-20 working days
Dolly Parton
domesticity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Ernest Tubb
female vocalists
film
gender
gender formation
Goldie Hill
Great Depression
Gretchen Wilson
Hank Williams
history of country music
honky-tonk
honky-tonk music
Jean Shepard
Kitty Wells
Language_English
Loretta Lynn
Lulu Belle
migration
minstrelsy
Miranda Lambert
modernity
Nashville
National Barn Dance
nostalgia
PA=Available
Patsy Montana
place
popular music
post-World War II
Price_€20 to €50
PS=Active
Rose Maddox
rusticity
sentimentality
sexuality
singing cowgirl
singing style
softlaunch
vaudeville
vocality
Wanda Jackson
western swing
WLS
women artists in country music
women in country music
World War II
yodeling

Product details

  • ISBN 9780252084959
  • Weight: 426g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Feb 2020
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A PopMatters Best Non-Fiction Book of 2020

From the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists. These individuals blazed trails as singers, musicians, and performers even as the industry hemmed in their potential popularity with labels like woman hillbilly, singing cowgirl, and honky-tonk angel.

Stephanie Vander Wel looks at the careers of artists like Patsy Montana, Rose Maddox, and Kitty Wells against the backdrop of country music's golden age. Analyzing recordings and appearances on radio, film, and television, she connects performances to real and imagined places and examines how the music sparked new ways for women listeners to imagine the open range, the honky-tonk, and the home. The music also captured the tensions felt by women facing geographic disruption and economic uncertainty. While classic songs and heartfelt performances might ease anxieties, the subject matter underlined women's ambivalent relationships to industrialism, middle-class security, and established notions of femininity.

Stephanie Vander Wel is an associate professor of music at the University at Buffalo.

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