Hindi Poetry in a Musical Genre

Regular price €204.60
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Lalita du Perron
ali
Author_Lalita du Perron
Basa Kara
Category=AVLA
Category=DSC
Category=QRD
courtesan
Courtesan Culture
Courtesan Tradition
Courtesan's Salon
courtesans
Courtesan’s Salon
culture
Devadasi Dance
Devotional Poetry
devotional verse analysis
Diminutive Forms
End Rhyme
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
female agency in classical music
Feminine Narrative Voice
Folk Genre
Follow
gendered voice studies
girija
Hindi Poetry
Hindustani Music
Hindustani musicology
Imperfective Participle
Instrumental Interlude
Internal Rhyme
Lovelorn Woman
Lyrical Heroine
Main Corpus
Modern Gazal
mood
MSH
North Indian cultural history
performance tradition research
Rhyme Scheme
romantic
salon
shah
sociolinguistics India
Urban Folk Song
Veena Talwar Oldenburg
wajid
Wajid Ali Shah

Product details

  • ISBN 9780415394468
  • Weight: 630g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Feb 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century.

Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life on North India.

Well-written and thoroughly researched, this book is a valuable contribution to the field of South Asian studies. It will be interesting to academics across the discipline, including linguistics, politics, sociology, cultural and gender studies.

Lalita du Perron received her PhD from SOAS, University of London. She is currently a Research Fellow at the Department of Music, SOAS, and she specialises in music and poetry of the classics of Hindustani music 1903-75.

More from this author