Hip Hop Versus Rap

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A01=Patrick Turner
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Author_Patrick Turner
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Category1=Non-Fiction
Category=AVGP
Category=AVLP
Category=JBCC1
Category=JBSL
Category=JFCA
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Category=JHB
Conscious Hip Hop
conscious hip hop pedagogy
COP=United Kingdom
cultural authenticity
culture
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East London Secondary School
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Global Hip Hop Culture
grassroots activism
Gray Man
Grime Music
Hip Hop
Hip Hop Aesthetic
Hip Hop Culture
Hip Hop Education
Hip Hop Jams
Hip Hop Nation Language
Hip Hop Poet
Hip Hop Theatre
Language_English
Live Sociology
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Personal Development
Post-hip Hop
Post-hip Hop Culture
Price_€20 to €50
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qualitative ethnography
race and education politics
Real Hip Hop
Show YouTube Videos
Slam Poetry
softlaunch
street culture research
UK Garage
UK Hip Hop
urban youth studies
White Hip Hoppers
Young Men
Young People's Personal Development
Young People’s Personal Development

Product details

  • ISBN 9780367371128
  • Weight: 330g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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'What is the real hip hop?'

'To whom does hip hop belong?'

'For what constructive purposes can hip hop be put to use?'

These are three key questions posed by hip hop activists in Hip Hop Versus Rap, which explores the politics of cultural authenticity, ownership, and uplift in London’s post-hip hop scene. The book is an ethnographic study of the identity, role, formation, and practices of the organic intellectuals that populate and propagate this ‘conscious’ hip hop milieu. Turner provides an insightful examination of the work of artists and practitioners who use hip hop ‘off-street’ in the spheres of youth work, education, and theatre to raise consciousness and to develop artistic and personal skills. Hip Hop Versus Rap seeks to portray how cultural activism, which styles itself grassroots and mature, is framed around a discursive opposition between what is authentic and ethical in hip hop culture and what is counterfeit and corrupt. Turner identifies that this play of difference, framed as an ethical schism, also presents hip hop’s organic intellectuals with a narrative that enables them to align their insurgent values with those of policy and to thereby receive institutional support.

This enlightening volume will be of interest to post-graduates and scholars interested in hip hop studies; youth work; critical pedagogy; young people and crime/justice; the politics of race/racism; the politics of youth/education; urban governance; social movement studies; street culture studies; and vernacular studies.

Patrick Turner is a Senior Lecturer in Sociology at Bath-Spa University, UK.

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