Historical Interplay in French Music and Culture, 1860–1960

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French cultural studies
French music
Gastromusicology
Graham Sadler
Guillaume De Machaut
Helen Julia Minors
Historical Interplay
historical musicology
interdisciplinary humanities
intertextual analysis
Isabel de Berrie
Jolivet
Jun Zubillaga-Pow
Katharine Ellis
La La
La Page Musicale
La Revue Musicale
Language_English
Laura Hamer
Le Tombeau De
Le Tombeau De Couperin
Les Visiteurs
Music and culture
music reception theory
Olivier Messiaen
Ondes Martenot
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Rachel Orzech
Raoul Dufy
reinterpretation of past repertoire
Richard Langham Smith
Ronsard's Poetry
Ronsard’s Poetry
Satie's Work
Satie’s Work
Schola Cantorum
softlaunch
Stravinskian Neoclassicism
Symphonie Fantastique
Tristan Performances
twentieth-century composers
Wagner's Tristan Und Isolde
Wagner’s Tristan Und Isolde
Young Man
Yves Baudrier

Product details

  • ISBN 9780367881641
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860–1960, and its own historical ‘others’, referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers’ celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers.

Deborah Mawer is Research Professor of Music and the Director of Research at the Royal Birmingham Conservatoire, Birmingham City University, UK, where she also leads the large project ‘Accenting the Classics’, funded by the Arts and Humanities Research Council.